List of Illustrations
About the Editor
Notes on Contributors
Series Editor’s Preface
Preface
Introduction: The Paradigm of Illustration
Alan Male
Part I The Theory, Character and Making of Imagery
Chapter 1 Making Visible: Illustration Through Identification, Categorisation and Metaphor
Stuart Medley
Chapter 2 Conceptual Illustration: Frameworks and Methodologies
Rebecca Heavner
Chapter 3 Learning from the Past, from Giotto to Transport for London: Travels in Space and Time
Laurence North
Chapter 4 Reportage: Drawing the Story
Melanie Reim
Chapter 5 Animated Illustrations-Illustrated Animators: Influences from Traditional Illustration in Outstanding Animated Films
María Lorenzo Hernández
Chapter 6 Illustration in Motion: Sequential Momentum in Children’s Illustrated Books
Sarah McConnell
Part II Education and Research
Chapter 7 Illustrators: Collaborative Problem Solvers in Three Environments
Susan Hagan
Chapter 8 What is the Nature of Illustration Expertise in Professional Practice?
David Blaiklock
Chapter 9 The Illustrator as Visual Problem Solver: A Deconstruction of Conceptual Strategies for the Contemporary Illustrator
Sue Clarke
Chapter 10 Design for Life: Research Methods, Design Thinking and Authorial Illustration Practice
Stephanie Black
Chapter 11 Putting Theory into Practice
Mario Minichiello
Part III Context
Chapter 12 How Illustration Works: Exploring a Model of Editorial Illustration in Print and Online Media
Nanette Hoogslag
Chapter 13 Shifting Authorship: Defining the Illustrators Role in Contemporary Book Illustration
Franziska Walther
Chapter 14 Illustration: On the Epistemic Potential of Active Imagination in Science
Kathrin Mira Amelung
Chapter 15 The Symbiotic Dilemma of the Picture Book Maker in a Polymathic World
Karenanne Knight
Chapter 16 Framing Questions and Modes of Inquiry in Illustration Process and Critique
Robert Brinkerhoff
Chapter 17 The Inquiring Eye: Illustration and the Production of Knowledge
Patricia Likos Ricci
Chapter 18 The Meaning of Illustration in Early Nineteenth Century America
Christopher Lukasik
Chapter 19 Historical and Philosophical Relations between the Uncanny and Illustration
Carolyn Shapiro
Chapter 20 The Fabrica of Vesalius: A Semiotic Analysis
Alan Young
Part IV Contemporary and Post Contemporary Practice
Chapter 21 Future Dialogues for Illustration
Roderick Mills
Chapter 22 Developing Creativity in a Polymathic Environment
Andrew Hall
Chapter 23 The Polymath Principle in the Twenty First Century
Alice A. Carter
Chapter 24 Race, Perception and Responsibility in Illustration
Robyn Phillips-Pendleton
Chapter 25 Understanding Illustration- Process, Perception and Profession: The Legitimacy
Jo Davies
Index
